LACMA VISIT 1/6/2012

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  • #26319
    Anonymous
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    I missed a Tuesday class in November. To make up for the class, I went to LACMA with my colleagues from Barack Obama Global Preparation Academy. We visited two exhibits at LACMA. One exhibit was on Korean Art. The main peace for the Korean exhibit was a scroll depciting Buddha Shakamuni. The scroll was initially painted in grand scale in 1755 during the Joseon dynasty, and was later restored by Professor Chi Sun Park and her students at the University of Korea. LACMA received the arwork in six pieces and later through funds by CJ E and M conserved and exhibited the artwork.

    The Buddha Seokgamoni painting which is painted on fabric shows the Buddha Shakyamuni sitting on his throne as he preaches to a large assembly. I can use this particular art piece when teaching about Buddhism along with cultural diffusion. I can have students compare Korean, Chinese, Indian, and Japanese Buddhist art and show the similarties and differences. Students can also trace the spread of Buddhism from India to China and Korea.

    I was also impressed by the Confucius calligraphy in the Korean exhibit at LACMA. The calligraphy was a depcition of eight Confucian virtues. The calligraphy paintings were from the Joseon period in Korea. As Pat mentions, this can be used when teaching about Confucianism in the 7th grade standards.

    Another thing that caught my attention was a Korean art form called Bojaji. The curator at the museum explained that Japense women made this form of quilt using a material similar to wrapping paper. Bojaji was small square pieces used to wrap items.

    I too thought our LACMA visit was a perfect end to our winter break.
    edited by fmakhani on 1/8/2012

    #4495
    Rob_Hugo@PortNW
    Keymaster

    Because I missed our Saturday class, I am writing about the two exhibits my colleagues from school and I visited today.

    We began our visit of LACMA by visiting the Korean art exhibit. The placard in the foyer of the exhibit explained that Korea, a mountainous country, is situated between Japan and China. As a result of this geographic placement, her native art has been influenced by those countries around her. The arrival of Buddhism in the fourth century also had a strong influence on Korean artworks, and one of our group remarked how religion in most all cultures affects art. It appeared to me that most of the art pieces were from the Joseon Period (1392 - 1910). One of the first pieces to catch my eye was a "crown" ( 5-points of connected pieces of needlepoint). This was worn by a Buddhist priest. The needlework was beautiful with tiny, tiny stitches. Next to this was a beautiful, beautiful, square of cloth with breathtaking needlepoint. The red sun was still a vibrant red and the golds and blues luminous. This piece of needlepoint was a "badge" for a government official -- I imagine it was sewn on his robe. We were a bit confused as this was labeled Chinese from the late Qing dynasty. So, we assumed it was a blending of cultures and turned to our left and back into Korean art pieces. What I walked into next was quite impressive: Buddha Seokgamoni (Preaching to the Assembly on Vulture Peak). It is one of the largest Korean Buddhist paintings in the West. It dates from 1755 (Joseon dynasty). This silk painted piece was refurbished in the museum (a good video is on line). There were more rooms of seated Buddhas, a Karma mirror and a pair of Phoenixes.....all from the Joseon dynasty.

    One screen listed the eight Confucian values (Joseon period) written in Chinese calligraphy style (filial piety, brotherhood, loyalty, trust, propriety, righteousness, integrity and sensibility). This might be a possible tie in to my classroom. When we study Buddhism (7th grade), students could study this screen and identify the values with the screen and/or illustrate on their own.

    However, I enjoyed the last room about Korean women the most. There were beautiful red-laquered reading tables, hats, incense burners, a beautiful golden seal of Queen Munjeon (again Joseon period), gorgeous pendants and cosmetic boxes. But, the piece of art that generated the most discussion among us was the "wrapping paper" (bojagi) that reminded me of American quilts. Korean women stitched together pieces of fabric to wrap presents with. It was a creative outlet for women who in every other aspect of their lives were obliged to work in a "world of strict order." This might be a fun project for my students......design their own bojagi and then describe (essay) about what they designed, why and what it represents. Later in 8th grade, a comparison might be made between Korean bojagi and American quilting....how these art pieces were similar (the purpose it served for women -- both as a creative outlet and as a useful item).

    This outing was very enjoyable....a beautiful day.....a lovely ending to a winter break.....enjoyed with colleagues from school with lots of discussion.

    #26320
    Anonymous
    Guest

    My colleagues and I spent our last day of winter break at LACMA. As they both have mentioned in their posts, we had a wonderful time in viewing all of the exhibits which lead to lots of learning and discussions on a beautiful day. What a wonderful group of ladies to work with.

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