Framing Kitano Takeshi article

[Anonymous]

Good

[Anonymous]

Love Beat Takeshi the actor (when he's in a good role). He's so prolific I can't think of a role he hasn't picked up. He's truly the Robert Deniro of Japan.

[Anonymous]

Maestro Del Orgasmo: Descubre si Rafael Ruiz creador de maestro del orgasmo dice la verdad y que su curso sabe como curar la eyaculación precoz
http://maestrodelorgasmo.blog05.com/maestro-del-orgasmo-funciona/

[Anonymous]

Descubre a Rafael Ruiz y su curso maestro del orgasmo y como ha podido que muchos caballeros sepan controlar la eyaculacion precoz
http://maestrodelorgasmo.blog05.com/maestro-del-orgasmo-rafael-cruz/
edited by esandoval2014 on 10/30/2014
edited by esandoval2014 on 10/30/2014

[Anonymous]

Maestro del Orgasmo: Descubre que es maestro del orgasmo y lo que puede hacer por ti sus tecnicas y bondades de como tratar la eyaculación precoz hoy en día

http://maestrodelorgasmo.blog05.com/maestro-del-orgasmo-rafael-cruz-parte-uno/

[Anonymous]

Maestro del Orgasmo: descubre en este articulo si Rafael Cruz Creador de maestro del orgasmo puede ayudarte a saber como combatir la eyaculación precoz

http://maestrodelorgasmo.blog05.com/maestro-del-orgasmo-rafael-cruz-parte-dos/

[Anonymous]

Maestro del Orgasmo: Descubre una tercera parte si Rafael Cruz creador de Maestro Del Orgasmo da la solución definitiva al problema de la eyaculacion precoz

http://maestrodelorgasmo.blog05.com/maestro-del-orgasmo-rafael-cruz-parte-tres/

[Rob_Hugo@PortNW]

I’ve been a Takeshi Kitano fan for quite a while so I have decided to comment on the article “Framing Kitano Takeshi” at http://www.international.ucla.edu/asia. The article comments on Kitano’s shift toward nationalism, namely with Fireworks/Hana-bi (1997), in his film making and also on his obsession with suicide as denouement in his films.

I’ve seen numerous films by Beat Takeshi and I highly recommend any one of them. (More recently Kitano tackled the Zatoichi role and presented an excellent performance as the blind swordsman.) I have always been fascinated by the way in which Kitano commits suicide in almost every film. I chalked it up to pastiche, and/or a comment on the tradition of hara-kiri. The article commented on criticism of Kitano’s use of suicide, arguing that there is a strong suggestion of and a negative alignment with WWII suicide bombers. Kitano’s response, as quoted in the article, shed more light on the subject. Kitano says, "There is no doubt there is evil in the eyes of the law, but [the Japanese] forgive evil if accompanied by the intention to commit suicide. Such romanticism flows in the blood of every Japanese and we must face it." I find it very comforting that Kitano embraces this aspect of his culture and does not try to rewrite history. In American cinema we rarely see this. Rather we consistently see history rewritten and sundry American practices conveniently left out of our “new” histories. Suicide for Kitano allows the audience to empathize with the bad guy while not necessarily condoning the evil of his/her actions. Quite the opposite in American cinema. We tend to root for the bad guy secretly jealous that we can not get away with those same “evil” acts in or society. We love it when our bad guys get away. Kitano’s characters only get away via suicide. (Side note: It would be nice to take do a Buddhist/Christian reading of this “to be or not to be” theme in east/west cinema.) A great starting point would be to watch the American crossover film Brother wherein everyone dies.

The article ends with a nice quote from Kitano commenting on his use of nationalist symbols in his films: "I am Japanese. And so I am trying to find a Japanese style."

[Anonymous]

. Tuyệt vời thông tin ở đây, Tôi hiện đang làm một số nghiên cứu và tìm thấy chính xác những gì tôi đã looing cho

[Author]

Posts